Flux I bell sTRUcTURs

association for search, theme & performance

Red Thread 2024/25:
to strengthen our sensitization,
we encourage meandering
as an artistic working method,
this in parallel with the
development of new
(open) cartographies

Flux I bell.space 

︎︎︎Current Project
︎︎︎Upcoming Projects

︎︎︎Archive

Mäandern:::meander (pictures)
︎︎︎Curatorial Text
︎︎︎Participating Artists
︎︎︎Space & Time
︎︎︎Project Workframe
︎︎︎Invitation Text, July 2023

Flux I bell sTRUcTURs
︎︎︎Projects curated by
Harm Lux, till May 2022

Bring in Weight
︎︎︎a critique on populism
︎︎︎Info & Concept
Local Sites & Artists Names:

Curatorial Course
︎︎︎2021 / 2022

___________
Lübbener Str. 1
10997 Berlin Kreuzberg

Open:
Thu. & Friday 14.15 - 18.15
Sa. 12.00 - 15.00
Sowie nach Vereinbarung
/ by appointment

Holiday: 21.12.24 - 07.01.25




Mark

HUMAN SEDIMENTS 
    drifting up



Vernissage:
30.11.24 Saturday, 17:30

Open:

Thursday - Friday, 14:15 - 18:15
Saturday, 12:00 - 15:00 & on request


Holiday:
21.12.24 - 07.01.25

Theme Related Project Talks:
  • 11.12.2024 Wednesday, 19:00
    Input Speakers: Takashi Arai, Lindi Dedek &
    Harm Lux
  • 16.01.2025 Thursday, 19:00
    Input Speakers:
    Artemis Chrysostomidou,
    Yasaman Pishvaei & Harm Lux


Adress:
Lübbenerstrasse 1, Berlin



Senseless creation, forgetting time, supports good visualizations, then appears the ‘joy’ of ‘fixing’ (read: the “that’s it!”-feeling) but the pain is part of this process, too! As part of my environment, I get involved, participate, throw myself in, push myself out, new thoughts and sensations form inside, conscious and subconscious, millions of fragments, particles, – all corresponding to the movement of time and my perception, store themselves in the brain, this according to my absorption and speed of life, form edge-related sediments.

The world is changing, we eat dogs, we eat cats, vegetarians eat mice, a deflation of the burger, how much is a burger worth, especially the reckless, enjoying water masses, warming by fires, movements that dissolve corals, a time when caves in dry plains become new places to live! Times that are too watery, too warm, when much dissolves, drifts upwards; what happens when the subconscious becomes active, interferes, co-determines everyday life.

September 2024, 11 artists were invited to recall the most beautiful and painful moments of their lives and to visualize them for the project. In addition, between the end of October and end November, a meandering process of several hours was to be carried out, hours of contemplation to remember the most beautiful and painful moments of the past months and to visualize them for the project as well. These two levels (old sediments/memories) and the current sensitization can be seen in the composition ‘Human Sediments, drifting Up’.

Harm Lux, curator (Berlin)

with:
Takashi Arai (Berlin)
Lacy Barry (Berl in)
Channa Boon (The Hague)
Artemis Chrysostomidou (Nicosia/Berlin)
Maria Constanti (Berlin)
Lindi Dedek (Berlin)
Amber De Saeger (Antwerp)
Robert Estermann (Ostprignitz)
Leigh Sayers (Berlin)
Yasaman Pishvaei (Potsdam)
Seçil Yersel (Berlin)




Human Sediments, drifting up (under construction)