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Flux I bell sTRUcTURs

association for search, theme & performance

Red Thread 2024/25:
to strengthen our sensitization,
we encourage meandering
as an artistic working method,
this in parallel with the
development of new
(open) cartographies

Flux I bell.space 

︎︎︎Current Project
︎︎︎Upcoming Projects
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Mäandern:::meander (pictures)
︎︎︎Curatorial Text
︎︎︎Participating Artists
︎︎︎Space & Time
︎︎︎Project Workframe
︎︎︎Invitation Text, July 2023
Flux I bell sTRUcTURs
︎︎︎Projects curated by
Harm Lux, till May 2022
Bring in Weight
︎︎︎a critique on populism
︎︎︎Info & Concept
Local Sites & Artists Names:

Curatorial Course
︎︎︎2021 / 2022

___________
Lübbener Str. 1
10997 Berlin Kreuzberg
Open:
Thu. & Friday 14.15 - 18.15
Sa. 12.00 - 15.00
Sowie nach Vereinbarung
/ by appointment

Holiday: 21.12.24 - 07.01.25
Mark









Egoism
Historically, the most demanding labor in slavery was transportation, and after modernization, it is energy.
The consuming energy supports the great economy of modern capitalist countries.
Digitalized Illumination may be more of a contradiction than a decoration. 
How much influence does it have on our lives and culture?


Sharing
Without energy - our life is not easy. It goes without saying that generating energy is hard work, but the environmental destruction caused by energy generation also poses a serious problem for coexistence with animals and for us humans. What- and how can we share, How much can we share?








Erika Matsunami

lives and works in Berlin, Germany, as an independent transmedia artist engaged in interdisciplinaryand transdisciplinary artistic research. Her profession is visual artist, sound composer, choreographer, and artisticresearcher. She transforms autobiographical experiences and motives from her social environment into an artistic context andcreates projects with different mediums. Her works comprise a spectrum of both themes and media that spans fromsculpture and photography by way of video (audiovisual) and performance art all the way to mixed-mediainstallations. Her auditory work in the installation is a kind of secondary space and time that is not synchronized, andthat is probably a topologically manifold in relation to the visual space.