Flux I bell sTRUcTURs

association for search, theme & performance

Red Thread 2024/25:
to strengthen our sensitization,
we encourage meandering
as an artistic working method,
this in parallel with the
development of new
(open) cartographies

Flux I bell.space 

︎︎︎Current Project
︎︎︎Upcoming Projects

︎︎︎Archive

Mäandern:::meander (pictures)
︎︎︎Curatorial Text
︎︎︎Participating Artists
︎︎︎Space & Time
︎︎︎Project Workframe
︎︎︎Invitation Text, July 2023

Flux I bell sTRUcTURs
︎︎︎Projects curated by
Harm Lux, till May 2022

Bring in Weight
︎︎︎a critique on populism
︎︎︎Info & Concept
Local Sites & Artists Names:

Curatorial Course
︎︎︎2021 / 2022

___________
Lübbener Str. 1
10997 Berlin Kreuzberg

Open:
Thu. & Friday 14.15 - 18.15
Sa. 12.00 - 15.00
Sowie nach Vereinbarung
/ by appointment

Holiday: 21.12.24 - 07.01.25




Mark



Satellite disk.

The ultra-local, narcistic satellite disk, infinitely modulating and modelling the self, in aneternally self-referential continuum. The eye has vanished in inward gaze, it is twisted,turned, spat out, and given a name. In the face of the viewer landscapes are rolled over, a farthunder approaches the horizon and is deformed, again and again. In the background peopleare running, gasping for air.



       Once I have my eyes open, I can’t close them anymore
       A leaf a gourd a shell a net a bag a sling a sack a bottle a pot a          
       box a container. A holder. A recipient.**


       from: Ursula LeGuin’s The Carrier Bag Theory of Fiction,
       Dancing at the Edge of the World, 1986.







        Photos: Channa Boon








Channa Boon

is a visual artist, performer and filmmaker, living in The Hague, The Netherlands.
Boon’s work investigates in what way the human or non-human body relates to and intervenes with space, objects, architecture and sound. Investigating specific fictional or true stories and demographic data, Boon works with the ‘Acoustic Body', a phenomenon she coined and accounts of through her work.